07/29/2026
Matt Seaton, a former senior editor at The Atlantic, quit his job and became a part-time waller after discovering his passion for building walls. He explores the importance of this new profession for himself—and society: https://theatln.tc/F99Jxh8x
Seaton’s main employ now is on a property that was bought in the 1890s by a New York manufacturer and turned into a model farm with a mansion. “I don’t for a minute feel that, after some 30 years as a writer and an editor, I have abandoned the life of the intellect,” he writes. “Building a wall that looks good and won’t soon fall down involves plenty of hand work, for sure, but it is also a knowledge game.”
“When I leave my desk to spend an afternoon outside, I’m doing much the same work—just manipulating stones instead of words,” Seaton writes. “I’m bringing sense to a random pile of rocks. I’m striving for coherence in the structural integrity and pleasing appearance not of an essay but of a double-faced, flat-capped wall.”
“Building a wall may even be its own kind of narrative project—a peculiarly linear one,” Seaton continues. “Each element falls into place, and the sum becomes greater than its parts. That’s on a good day, when the stone that comes to hand finds its rightful place, almost without conscious thought, like a mot juste in a well-turned phrase. I am not a puzzle person, but one reward of walling is the continuous process of problem-solving in three-dimensional space. At first, it looks like nothing; then, all of a sudden, it looks like a wall.”
“Given time enough, gravity will return those rocks to their long sleep in the loam,” Seaton continues at the link. “Ice will split them; rain will wear them. Sometimes I pry up a slab of schist that’s lain in the ground only a few years, and it shears into new, more delicate planes as it comes. Whatever we build will one day come to dust. Yet we build. Because it’s also in us to make something handsome to behold.”
📸: Kelly Burgess