07/10/2026
War is no dinner party, but Chinese director Wen Muye has released another movie, Dragon Restaurant, which ,yes, engages with armed conflict and food. His earlier film, I'm not the god of medicine, wrestled with what might be called transnational law. (I have an unpublished analysis of that powerful film for review.) Now, Wen's new movie is as much about law as it is about war and food. What's interesting here is that Wen again deals with law, this time public, rather than private international law. Even more surprising is the movie's subject- the participation of children in war. It's a subject that I have worked on, particularly the conflict between international law 's ideal image of children and the utopian imaginary of social movements, which views children as agents of social change or resistance. Reading the film through the conflict between the utopian imaginary of film and international law will reveal an implicit position in the film, perhaps made implicit by censors or by simply being the predominant world view in Chinese society.